费德里科·亚瑟·布里奇曼,美国画家,生于1847年,11月10日,塔斯基吉,卒于1928年1月13日,最著名的是创作了一系列的“东方学者”的形象。费德里科·亚瑟·布里奇曼的代表在有:《一个有趣的游戏》等等。
弗雷德里克·阿瑟布里奇曼(1847年11月10日- 1847年1月13日)是一个美国艺术家绘画而闻名的“东方通”科目。
一个有趣的游戏,ca 1881
出生在阿拉巴马州的塔斯基吉的儿子,他是一个医生。他开始作为一个制图员在纽约,美国钞票公司在1864 - 65年,在相同的年学习艺术布鲁克林艺术协会和国家设计学院。他去了巴黎在1866年,1867年,他进入工作室的指出学术画家Jean-Leon Gerome(1824 - 1904),他深受Gerome精确制图术,顺利完成,关心中东的主题。此后,巴黎成了他的总部。1874年,他当选了国家设计学院作为一个准会员,并于1881年成为正式成员。
倾斜的美,布里奇曼的一个宫女绘画
布里奇曼使他第一次去北非在1872年至1874年之间,分裂之间的时间阿尔及利亚和埃及。他执行大约三百草图,源材料几个后来油画,立即吸引了注意力。布里奇曼被称为“美国Gerome”,尽管布里奇曼后来采用一种更自然的审美,强调明亮的色彩和绘画笔法。他的大型和重要组成,尼罗河上的木乃伊的送葬队伍,在巴黎沙龙(1877),买的詹姆斯•戈登•贝内特。,给他十字荣誉勋章。这幅画后来被美国著名收藏家购买温德尔樱桃捐赠速度博物馆在路易斯维尔,肯塔基州在1990年今天能看到的地方。
额外的访问该地区在1880年代和1870年代让他积累的集合的服饰,建筑,和文物艺术品,这常常出现在他的画作。约翰。辛格。萨金特指出,布里奇曼的冗长的工作室,以及埃菲尔铁塔巴黎的必看景点。尽管布里奇曼保持终身连接到法国,他的声望在美国从未减弱。事实上,1890年,艺术家的个人画展在400年在纽约第五大道的照片画廊。当这个节目搬到芝加哥艺术学院,它只包含300幅作品——证明了大量销售布里奇曼。
阿尔及利亚的街景
布里奇曼最公认的东方形象,在阿尔及利亚街景,杰出的传记和历史意义。它的许多细节可以被认为是“签名”主题的艺术家,和它的主题,指出旅游的记录。符合布里奇曼的倾向在1880年代国内专注于亲密的话题,两个坐在男性在结果页上的位置数据中心的组成、手势时聊天。
他画的是一个美国马戏团在诺曼底,队伍的api(现在的柯康美术馆的艺术,华盛特区。),一位罗马尼亚的女士(在殿里集合,宾夕法尼亚州的费城).
最近,画家作品的拍卖价格250000美元到350000美元的范围。
Frederick Arthur Bridgman (November 10, 1847 – January 13, 1928) was an American artist known for his paintings of "Orientalist" subjects.
Born in Tuskegee, Alabama, he was the son of a physician. He began as a draughtsman in New York City, for the American Bank Note Company in 1864–65, and studied art in the same years at the Brooklyn Art Association and at the National Academy of Design. He went to Paris in 1866, and in 1867 he entered the studio of the noted academic painter Jean-Léon Gérôme (1824–1904), where he was deeply influenced by Gérôme's precise draftsmanship, smooth finishes, and concern for Middle-Eastern themes. Thereafter, Paris became his headquarters. In 1874, he was elected into the National Academy of Design as an Associate member, and became a full member in 1881.
Bridgman made his first trip to North Africa between 1872 and 1874, dividing his time between Algeria and Egypt. There he executed approximately three hundred sketches, which became the source material for several later oil paintings that attracted immediate attention. Bridgman became known as "the American Gérôme", although Bridgman would later adopt a more naturalistic aesthetic, emphasizing bright colors and painterly brushwork. His large and important composition, The Funeral Procession of a Mummy on the Nile, in the Paris Salon (1877), bought by James Gordon Bennett, Jr., brought him the Cross of the Legion of Honor. The painting was later purchased by the famous American collector Wendell Cherry who donated it to the Speed Museum in Louisville, Kentucky in 1990 where it can be seen today.
Additional visits to the region throughout the 1870s and 1880s allowed him to amass a collection of costumes, architectural pieces, and objets d'art, which often appear in his paintings. John Singer Sargent noted that Bridgman's overstuffed studio, along with the Eiffel Tower, were Paris's must-see attractions. Though Bridgman maintained a lifelong connection to France, his popularity in America never waned. Indeed, in 1890, the artist had a one-man show of over 400 pictures in New York's 5th Avenue galleries. When the show moved toChicago's Art Institute, it contained only 300 works – testimony to the high number of sales Bridgman had made.
One of Bridgman's most recognized Orientalist images, A Street Scene in Algeria, is exceptional for its biographical and historical significance. Many of its details can be considered "signature" motifs of the artist, and its subject, a pointed record of travel. In keeping with Bridgman's tendency in the 1880s to focus on intimate domestic subjects, two seated male figures are given pride of place in the center of the composition, gesticulating while they chat.
Other paintings by him were An American Circus in Normandy, Procession of the Bull Apis (now in theCorcoran Gallery of Art, Washington, D.C.), and a Rumanian Lady (in the Temple collection,Philadelphia, Pennsylvania).
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