生活

斯奈德出生在安特卫普的儿子Jan Snijders经常光顾的酒馆门将的艺术家。根据传说16世纪著名画家Frans Floris在酒店浪费了他的财富。斯奈德的母亲玛丽亚Gijsbrechts。斯奈德一家有五个兄弟姐妹。他哥哥•也成为一个画家,但没有他的作品是已知的。

斯奈德的学生记录Pieter布鲁盖尔的年轻在1593年,随后训练亨德里克·Balen谁是第一个硕士安东尼·范·戴克。斯奈德成为主人的安特卫普圣卢克的公会在1602年。他前往意大利1608 - 9中他第一次住在罗马。这位艺术家,随后从罗马来到米兰。Jan布鲁盖尔老介绍了他的著名的信吗艺术品收藏家红衣主教包罗密.布鲁盖尔问斯奈德画肖像后一个副本提香圣母玛利亚的集合。这被视为证明斯奈德是一个熟练的人物画家之前他将注意力转向了静物画。 

斯奈德在1609年春天返回到安特卫普。 1611年,他娶了城里的妹妹Cornelis德沃斯和保罗·德·沃斯在安特卫普两大画家。他与鲁本斯的合作始于1610年代。 

斯奈德有许多顾客包括根特主教托尼斯特里斯特委托四画的市场场景1615左右(赫米蒂奇博物馆圣彼得堡)。他是一个范戴克谁画的朋友斯奈德和他的妻子不止一次(弗里克收藏,卡塞尔等等)。斯奈德是商业成功,能够在安特卫普高端Keizerstraat购买一栋房子。1628年,他成为圣卢克的公会院长。

在1636 - 1638年期间,他的安特卫普艺术家协助鲁本斯在大型装饰委员会狩猎馆老爹de la Parada的西班牙的菲利普四世。这两个艺术家也一起工作的装饰品马德里皇家城堡和皇家早上好今天宫在马德里。斯奈德画约60狩猎绘画和动物经过鲁本斯的设计。1639年鲁本斯和斯奈德获得额外后续委员会18绘画馆的打猎。

经过彼得·保罗·鲁宾斯的死亡斯奈德充当一个估价师鲁本斯的库存的集合。

在1641年和1641年斯奈德与其他艺术家的旅行荷兰共和国。1646年斯奈德可能是在布雷达工作委员会。斯奈德在1647年成为一个鳏夫。他死于1657年8月19日在安特卫普。死前他膝下无子的他将他的财产遗赠给他的妹妹比津舞。安特卫普艺术品经销商Matthijs井获得广泛的艺术收藏,包括作品的领先16和17世纪佛兰德和荷兰的艺术家如鲁本斯,安东尼·范·戴克亨德里克·BalenJan Breughel老,老布鲁,乔斯·范·克里夫Coninxloo,雅各Foppens van西文,威廉Claeszoon Heda雅各布•Jordaens卢卡斯·莱顿,简•列文,兰伯特朗伯德,Jan厚重的,约阿希姆Patinir,奥斯塔乌得勒支和Frans Ykens.

他有许多学徒,他的学生被认为是包括在内Nicasius Bernaerts,Peter van仿羔皮呢,Juriaen Jacobsze,Jan鲁斯和保罗·德·沃斯.九、委托方私自复印1月(joanne Fijt)是一个学生,然后从1629年助理斯奈德。Peter van仿羔皮呢弗朗斯·斯奈德声称他是一个学生,但没有书面消息人士在安特卫普,支持这个论点。然而,van仿羔皮呢有相似风格的作品表明,他在弗朗斯·斯奈德的圆。

工作

一般

斯奈德最初致力于绘画鲜花、水果和静物画。后来他转向画动物。他描绘野生动物特别感兴趣,他从事活泼的狩猎和激烈的打击。他是最早的专家之一animaliers。他的工作作为一个动物画家很有影响力在他同时代以及18世纪法国animaliers等让-巴蒂斯特·Oudry和弗朗索瓦Desportes.Jean-Baptiste-Simeon夏丹的杰作光线回忆斯奈德的图像强度。

他居住在意大利被认为有重要影响水果的绘画风格。他可能看过卡拉瓦乔的篮子里的水果在红衣主教Borremeo在米兰的集合。

市场和储藏室的场景

他画了许多市场场景和他的早期工作在这一领域的灵感来自于工作Pieter Aertsen和约阿希姆Beuckelaer开创和发展了流派在16世纪安特卫普。而Aertsen和Beuckelaer通常包括一个宗教在他们市场的背景下,斯奈德分发。一开始他的工作矫揉造作者习语。他的风格逐渐成熟的影响下他暴露在他前往意大利和意大利艺术鲁本斯的作品后,他返回到安特卫普。结果他早期的静物画的黑暗环境消失了1614年之后,他成为了一名好配色师有很强的创作能力允许他结构大量不同的对象。

他不仅创造了许多大型市场和储藏室和游戏场景静物画,通常包括死鹿。他还画小作品都让人想起早餐和静物画艺术起源于北方1600左右。而不是继续安特卫普画家的描述性的方式Osias Beert,斯奈德的创新的静物画结合对象组形成一个几何结构组成。反复出现的主题是死兔子和鸟类,tazze(浅在高脚碗),与葡萄和其他水果篮子,搪瓷投手和中文从克拉克瓷.

斯奈德通常描述游戏在舞台前准备食物。这些死去的动物因此像狩猎的战利品,经常甚至是食物而是填料。斯奈德通常包括生活动物如猫创建一个有生命和无生命的元素之间的对比。斯奈德一家“大型游戏作品非常有影响力,荷兰画家Jan Davidsz。de Heem谁在安特卫普工作过很长一段时间才把灵感来自斯奈德的工作来发展自己的大型游戏。

斯奈德的庞大而丰富的静物画已经在许多方面解释。一些宣传的信息解读这些作品。豪华丰富的显示可用在安特卫普,在西班牙政府可能服务的宣传目的显示西班牙统治的优越性弗兰德斯比,荷兰北部新教控制反叛。

在巴洛克风格传统他的许多成分是复杂和动态的一些更专注和安静。后者的一个例子在一个利基葡萄、桃子和温柏树 (波士顿美术博物馆),他的绘画也比平时更多的粗略的。

Life

Snyder was born in Antwerp's son Jan snijders, an artist who frequented the saloon keeper. According to legend, the famous 16th century painter Frans Floris wasted his wealth in the hotel. Snyder's mother, Maria gijsbrechts. The Snyders have five brothers and sisters. His brother also became a painter, but no work of his is known.

Snyder's students recorded Pieter Bruegel's youth in 1593, then trained Hendrick Balen who was the first master's Anthony Van Dyke. Snyder became the master of Antwerp's St. Luke's Guild in 1602. He went to Italy in 1608 - 9 and lived in Rome for the first time. The artist then came to Milan from Rome. Jan Bruegel introduced his famous letter art collector, cardinal borromer Bruegel, to Snyder's collection of the Madonna of Titian after painting a portrait. This is seen as proof that Snyder turned his attention to still life before he became a skilled figure painter.

Snyder returned to Antwerp in the spring of 1609. In 1611, he married his sister Cornelis DeVos and Paul DeVos, two painters in Antwerp. His cooperation with Rubens began in the 1610s.

Snyder has many customers, including gente bishop Tony triest commissioned four paintings of market scenes around 1615 (Hermitage Museum, St. Petersburg). He was a van Dyck who drew friends Snyder and his wife more than once (Frick collection, Cassell, etc.). Snyder is a commercial success, able to buy a house at the top end of the Antwerp keizerstraat. In 1628, he became president of St. Luke's guild.

Between 1636 and 1638, his Antwerp artists assisted Rubens in the large Decor Commission game hall of father de la parada of Philip IV of Spain. The two artists also work together to decorate the real castle and the Royal Palace in Madrid this morning. Snyder painted about 60 hunting paintings and animals designed by Rubens. In 1639 Rubens and Snyder were given an additional follow-up Commission for hunting at the 18 painting galleries.

Snyder, who passed the death of Peter Paul Rubins, served as a collection of Rubens' stock of valuers.

Snyder traveled with other artists in the Netherlands in 1641 and 1641. Snyder may have been at the Breda Working Committee in 1646. Snyder became a widower in 1647. He died in Antwerp on August 19, 1657. Before his death, he left his property to his younger sister, bizin, who had no children under his knees. Matthijs well, an art dealer in Antwerp, has a wide range of art collections, including works by leading 16th and 17th century Flemish and Dutch artists such as Rubens, Anthony Van Dyke, Hendrick, Balen, Jan Breughel, old Blu, Jos van Clive, coninxloo, Jacob foppens, van Spanish, William claeszoon Heda, Jacob Jordaens, Lucas Leighton, Jane Levin, Lambert Lambert, Jan heavy, Joachim patinir, ostaautrecht and Frans ykens

He had many apprentices, and his students were considered to be included: nicosius bernaerts, Peter Van Faux lambskin, Julian jacobsze, Jan Ruth and Paul de Vos. 9. The client privately copied January (Joanne fijt) as a student, and then assistant Snyder from 1629. Peter Van's Faux lambskin Frances Snyder claims he is a student, but no written source in Antwerp supports this argument. However, van Faux lambskin has a similar style of work to show his roundness in Francis Snyder.

work

commonly

Snyder first devoted himself to painting flowers, fruits and still life. Later he turned to drawing animals. He is particularly interested in depicting wild animals. He is engaged in lively hunting and fierce fighting. He was one of the first experts, animaliers. His work as an animal painter was influential in his contemporaries as well as in the 18th century French animaliers and other masterpieces of Jean Baptiste Audry and Fran ç OIS desportes. Jean Baptiste Simeon chardan, light recalled Snyder's image intensity.

He lives in Italy and is considered to have an important influence on the style of fruit painting. He may have seen the fruit in Caravaggio's basket set in Milan by Cardinal borremeo.

Market and storeroom scenarios

He painted many market scenes and his early work in this field was inspired by the work Pieter aertsen and Joachim beuckelaer created and developed schools in Antwerp in the 16th century. While aertsen and beuckelaer usually include a religious distribution in their market context, Snyder. At first, his job was to make up the author's idioms. Under the influence of his gradually mature style, he exposed his works in Italy and Italian art Rubens, and returned to Antwerp. As a result, after the dark environment of his early still life painting disappeared in 1614, he became a good colorist with strong creative ability to allow him to structure a large number of different objects.

He not only created many large market and storage rooms and still life paintings of game scenes, usually including dead deer. He also drew small works that remind people that breakfast and still life art originated in the north about 1600. Instead of continuing the Antwerp painter's descriptive way of osias beert, Snyder's innovative still life paintings combine object groups to form a geometric composition. Recurring themes are dead rabbits and birds, tazze (shallow in a high bowl), basket with grapes and other fruits, enamel pitcher and Chinese from Clarke porcelain

Snyder usually describes the game as preparing food in front of the stage. These dead animals are thus like spoils for hunting, often even food